lizlet = liz shannon miller online

Month

May 2012

Mightygodking.com » Post Topic » Scott Kurtz is still Scott Kurtz. → mightygodking.com

This is an article in which one blogger goes paragraph-by-paragraph through another blogger’s flawed argument regarding whether or not Jack Kirby deserves more credit/etc for helping to create The Avengers. You probably don’t think you should read it, but you should. Here are a number of reasons why:

1) It’ll remind you that if you enjoyed Avengers, you really should donate to the Hero Initiative.

2) At a certain point, the discussion turns to the corporate ownership of cultural icons, which is always a good time:

Corporate control over their IP is growing more grasping and tenacious, not less, and it is corporate IP that dominates comics even today, thirty years after the independent comics movement first began to pick up steam in the 1980s.

3) And it also examines the nature of being a creator within the comic book industry — which is interesting/applicable to anyone who’s ever created something and/or built upon someone else’s previous creation.

4) Oh, and ALSO it makes an important point about how the “Kickstarter fairy tale” (my term that I just invented) is one that most likely won’t come true if you don’t have a pre-established fanbase.

5) AND there’s a classic SNL Jeopardy! reference.

So, really, give it a read. Maybe skim the more vitriolic parts. But give it a read.

May 30, 20123 notes
“While the Facebook IPO may not have changed Facebook, it helped make some things absolutely clear. Twitter is the primary source; Facebook is the filter. Or, to use an old-media metaphor: Twitter is the newswire, and Facebook is the hundreds of local newspapers that collect and print the stories the next day.
Fast-developing stories do matter, and right now, Facebook isn’t very good at telling them. Even its own.”
—

How Twitter Beat Facebook At Its Own Story

The only story Facebook is interested in telling is the story of your life, chronologically. And humans are so much bigger than that. 

(via meganwest)
May 30, 201211 notes
May 30, 20126 notes
#poutine

image

chriscantwell replied to your post: An Update Regarding My Sophomore Year Screenplay

the delicate embarrassment of voting for Humphrey. Well played.

SPOILER ALERT: Her husband’s a Republican!

May 26, 20122 notes
An Update Regarding My Sophomore Year Screenplay

IT WAS CALLED WOMEN’S WORK.

Wait. No. Apparently, that was the working title. The actual title I went with was SPLIT OPEN.

Just a taste (this scene is between the protagonist and her teenage son):

ANNA
What are you studying right now?

A sparkle in Dylan’s eye about the subject.

DYLAN
Kennedy and stuff. Did you know that Nixon lost the 1960 election because he didn’t wear any makeup for a TV debate?

ANNA
At the time, you were four, Dill, and your sister was six. I didn’t pay much attention to all that.

DYLAN
Did you notice if Nixon wore makeup in ‘68, though?

ANNA
He didn’t look as bad as he did earlier.

DYLAN
I bet that’s why he won. Even if not everyone voted for him. Did you, Mom?

Anna’s face clouds, as she FLASHES BACK…

INT. VOTING BOOTH — 1968 ELECTION

Anna has the punching pin in hand, hovering above the section for president. The pin comes down, and it looks for a second that she’s going to vote for Nixon…

But then she firmly punches the hole for Humphrey, and moves on to the next section.

INT. DINING ROOM — SAME

Anna shakes herself out of it when Dylan repeats his question:

DYLAN
Well, Mom? Did you vote for Nixon?

ANNA
(quietly)
Of course.

She directs her attention to her dinner, and an awkward silence descends.

AN AWKWARD SILENCE DESCENDS. Guys, please try to hide your jealousy at my PURE RAW WRITING TALENT. I know it’s hard, but TRY.

May 26, 20126 notes
May 25, 20123 notes
What theory of time travel do you subscribe to? The Lost, whatever happened, happened, single timeline? Or the Terminator, multiple diverging timelines that constantly change and crossover, creating new ones?

The times I’ve attempted to write time travel narratives, I tend to lean towards multiple diverging timelines — I enjoy the fantasy of being able to alter events. But I also really enjoy single timeline narratives (“Prisoner of Azkaban” comes immediately to mind). So really the answer is both? But if death is not an option, multiple timelines.

May 24, 2012
what was your sophomore year screenplay about at SC?

HAH. Oh, wow. I don’t remember the title, but it was the first full screenplay I ever wrote and it was HILARIOUSLY bad: A 1970s housewife finds the strength to escape her marriage by writing a book about Eleanor Roosevelt’s lesbian affair. I WISH I WERE MAKING THAT UP. But for some reason, 19-year-old me thought Eleanor Roosevelt would make a great topic for a screenplay. I should put up excerpts sometime.

May 24, 20125 notes
I'm going a little stir-crazy at my desk today and would love a little distraction → lizlet.tumblr.com

Ask me anything, friends/loved ones/total strangers/all of the above.

May 24, 2012
The show "Ringer" may not have won the hearts and minds of America...

…but holy crap did it know how to name an episode.

  • “She’s Ruining Everything”
  • “If You Ever Want A French Lesson”
  • “It’s Gonna Kill Me, But I’ll Do It”
  • “A Whole New Kind Of Bitch”
  • “The Poor Kids Do It Everyday”
  • “Oh Gawd, There’s Two of Them?”
  • “Maybe We Can Get A Dog Instead?”
  • “Shut Up And Eat Your Bologna”
  • “That’s What You Get For Trying To Kill Me”
  • “It Just Got Normal”
  • “What Are You Doing Here, Ho-Bag?”
  • “It’s Easy to Cry When This Much Cash is Involved”
  • “Whores Don’t Make That Much”
  • “P.s. You’re An Idiot”
  • “You’re Way Too Pretty To Go To Jail”
  • “What We Have Is Worth The Pain”
  • “That Woman’s Never Been A Victim Her Entire Life”
  • “Let’s Kill Bridget”
  • “If You’re Just An Evil Bitch Then Get Over It”
  • “It’s Called Improvising, Bitch!”
  • “I’m The Good Twin”

That’s three “Bitch”es, three “Kill”s, one “Shut Up,” one “Whores,” one “Ho-bag.” In case you weren’t paying attention.

Well-played, show.

May 23, 20122 notes
May 23, 2012676 notes
May 22, 20127,379 notes
Yo Zuck: You have come a long way dude | Om Malik → om.co

If you, like me, are about to embark on a TOTALLY AWESOME evening of drinking, cleaning, catching up on email and ripping CDs (differentiated from my TOTALLY AWESOME day of all of that by the drinking plus some column-writing), then you should take a break and read the first thing Om Malik ever wrote about a little website called TheFacebook. Y’all, it’s adorable.

May 19, 2012
Catching up with the newz.

In going through my tabs, I ordered things so that I read Dan Harmon’s latest post before reading about how Nick Stahl isn’t dead in a ditch, so that things might end on a somewhat happy note.

May 19, 2012
May 18, 2012
4.1: "The Lottery"

perfectstrangersdaily:

Larry tries to warn Balki that the lottery is too much of a longshot—then a frantic search ensues when Balki’s lost ticket just might have won him the $28-million jackpot.

You guys, this blog is still happening. We’re on season four now! Only four more seasons after that!

May 18, 20122 notes
“From there, the conversation took a surrealist twist, when Kenyatta Cheese introduced Toxoplasmosis - a disease affecting pregnant women, contracted through cat droppings - as a metaphor for memes. The panel debated the possibility that much like we often see in the animal kingdom, “viral” content has a mind of its own, so to speak, and bends the behavior of internet-users to its will. Put more realistically, the panel raised interesting questions about whether cultural memes affect our behavior - how much control we have over content, and how much control it exerts over us without our knowing.” —

How We Share Content And Why - Adrants

Actually, they’re being waaaaaaay too kind. I wasn’t suggesting toxoplasmosis as a metaphor for memes. I was suggesting that memes are an emergent form of life that use humans to propagate.

We always talk about this stuff with us (humans) at the center. Maybe we’re just nodes that happen to have a flicker of self awareness.

(via kenyatta)

Later, when someone writes a Matrix-esque film about how the sentient Internet actually created humanity so that it could exist, I want to see Kenyatta credited as an EP.

(via spytap)
May 18, 201254 notes
Play
May 15, 201230 notes
May 13, 20121,567 notes
#fuck yeah sleepy otters
Play
May 11, 20126 notes
Next page →
2012 2013
  • January
  • February
  • March
  • April
  • May
  • June
  • July
  • August
  • September
  • October
  • November
  • December
2011 2012 2013
  • January
  • February
  • March
  • April
  • May
  • June
  • July
  • August
  • September
  • October
  • November
  • December
2010 2011 2012
  • January
  • February
  • March
  • April
  • May
  • June
  • July
  • August
  • September
  • October
  • November
  • December
2009 2010 2011
  • January
  • February
  • March
  • April
  • May
  • June
  • July
  • August
  • September
  • October
  • November
  • December
2008 2009 2010
  • January
  • February
  • March
  • April
  • May
  • June
  • July
  • August
  • September
  • October
  • November
  • December
2008 2009
  • January
  • February
  • March
  • April
  • May
  • June
  • July
  • August
  • September
  • October
  • November
  • December